In 2022, Kearen’s sophomore film “Mama’s Affair” will hit the big screen. Furthermore, it landed on multiple annual “Best of” lists, such as the Hong Kong Film Critics Society’s “Eight Recommended Films,” and the Beijing Youth Film Manual’s “Ten Best Chinese-language films.” In addition to the Hong Kong Film Directors’ Guild’s “Best New Director” award, the film also earned seven nominations at the 37th Hong Kong Film Awards, with Kearen winning the “Best New Director” award in the process. “29+1” was screened at film festivals internationally, winning awards such as the Bill Muller Excellence in Screenwriting Award at the Sedona International Film Festival, the Audience Award at the Osaka Asian Film Festival, and the Best Director Award (Foreign Film) at the Nice International Film Festival. It was chosen as the closing film of the 2016 Hong Kong Asian Film Festival, and became the seventh highest-grossing local film of 2017. In 2016, Kearen became a film director for the first time, adapting “29+1” for the big screen. Her other publishing credits include the film novel of “Isabella,” the creation collection of “goodbye BUT goodbye – the story,” and the essay anthology “After 29+1 – Re-defining Women.”
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She has also directed multiple TV ads, short films, and concerts, with the most notable credit being the creative director for Hong Kong megastar Joey Yung’s “My Secret Live” concert in 2017. In 2008, Kearen won the Best Actress Award (Comedy / Farce) at the Hong Kong Drama Awards with her sophomore solo show, “goodbye BUT goodbye.” Her other shows, including “Laugh Me To The Moon” and “Tiffany,” were also warmly received, showcasing her wit and sensitivity to fans and critics.īesides her theatre work, Kearen also co-wrote “Isabella” (the only Chinese-language film in competition at Berlinale in 2006) with director Pang Ho-cheung. A pre-recorded version was also shown in AMC theatres in Hong Kong and at the Shinjuku Piccadilly Cinema in Tokyo.
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In 2005, Kearen started her own workshop, and wrote, directed, and acted in a series of “one-woman-shows.” In the same year, she debuted her first solo show, “29+1.” Such was the show’s success that it held eight separate reruns, plus tours in Beijing and Macau, accumulating more than 60,000 viewers. In 2004, on a scholarship from the Hong Kong Federation of Drama Societies, Kearen studied miming and physical theatre at Studio Magenia in Paris. From stage acting to film directing, Kearen Pang’s artistic career is as exciting and vibrant as the city she was born and bred in – Hong Kong.Ī graduate of the Academy for Performing Arts with a BFA (hons) in Acting, Kearen started her career as a full-time actress at the Chung Ying Theatre Company.
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